Four executions.
One calibre.
Each is limited not by marketing but by the number of bezels one setter can complete in a year.
Preparing the atelier — six hundred hours, compressed
Every Hélios begins as a billet of 18-karat gold and ends as an instrument that measures the one thing you cannot buy back. Between those two states lie six hundred hours of work, performed by nine pairs of hands, in a room where no machine is permitted to make the final decision.
Ref. AV-1874 · 39.5 mm · 18k Yellow Gold · Sapphire, double AR
The crown releases first. What follows is not disassembly but disclosure — the skeleton bridge, the free-sprung balance, the gear train whose logic has not changed since 1874. Only its tolerances have.
Held apart for the first and last time. From here, nine hands will put it back — and it will never open again.
No adjectives. Only what is inside, and who touched it.
648 brilliant-cut stones, each seated in a hand-cut bead. Rejected if the table sits 0.02 mm proud.
Genève · 68 hReduced to 31% of its original mass, then re-anglé so every removed gram becomes a visible edge.
Vallée de Joux · 94 hFour gold poising screws. No index. Rate is corrected by inertia, not by shortening the spring.
Le Locle · 22 hSeven wheels, spokes chamfered on both faces — including the face nobody will ever see.
Genève · 51 hSingle barrel, 72 hours. Wound by a click whose sound was tuned across nineteen prototypes.
Genève · 37 hForty-one links, each brushed along its own grain so light travels the wrist in one unbroken line.
Genève · 129 h
A machine can bring a bridge to 96% of finished. It cannot decide when a bevel catches the light correctly, because that is not a measurement — it is a judgement. So the final 4% is left to a person with a boxwood peg, a diamond paste no coarser than 0.5 micron, and no deadline.
“We do not finish a movement. We stop when there is nothing dishonest left in it.” — Émile Rauch, Chef d’Atelier, 34 years
Each is limited not by marketing but by the number of bezels one setter can complete in a year.




Figures verified at 23 °C after 24 hours of static rate observation.
“I have owned four grand complications. This is the only one I have never sent back.”
Collector, Register No. 004 · Singapore
“The anglage on the escape bridge is the finest I have inspected outside of a museum.”
Independent appraisal · Basel
“Nine hands. You can feel exactly where the ninth one stopped.”
Collector, Register No. 011 · Zürich
There is no boutique. A case is brought to you, opened on a cloth, and left in your hands for as long as you need. One appointment per day, worldwide.